影片拼音/别名:sizhongzou|
视频集数:0
上映时间:2017年
视频更新时间:2024-08-09 14:11:49
国家/地区:日本
影片语言:日语
IMDB评分:8.0分
影片导演:詹姆斯·伊沃里
影片演员:松隆子,满岛光,高桥一生,松田龙平,吉冈里帆,富泽岳史,八木亚希子,坂间大介,罇真佐子,尾形一成,菊池亚希子,宫藤官九郎,藤原季节,高桥源一郎,前田旺志郎,中村优子,约希纳里·茨士,高桥玛莉润,永岛敬三,浅野和之,平原哲,安藤轮子,森冈龙,大森靖子,阿部力,大仓孝二,木下政治,五十岚信次郎,筱原友希子,坂本美雨,远藤璃菜,大卫·田纳特,丹尼尔·梅斯,杰森·沃特金斯,罗恩·库克,巴里·沃德,费伊·麦基弗,本·贝利·史密斯,布罗娜·沃,杰伊·辛普森,艾利克斯·巴哈特,乔尔·莫里斯,安迪·贾耶,查内尔·克雷斯韦
资源类别:全集无删减
视频总人气:1611
剧情介绍:詹姆斯·伊沃里导演执导的《四重奏》,该影片在2017年日本发行,上映至今获得了较好的口碑, 每集45分钟由松隆子 满岛光 高桥一生 松田龙平 吉冈里帆 富泽岳史 八木亚希子 坂间大介 罇真佐子 尾形一成 菊池亚希子 宫藤官九郎 藤原季节 高桥源一郎 前田旺志郎 中村优子 约希纳里·茨士 高桥玛莉润 永岛敬三 浅野和之 平原哲 安藤轮子 森冈龙 大森靖子 阿部力 大仓孝二 木下政治 五十岚信次郎 筱原友希子 坂本美雨 远藤璃菜 大卫·田纳特 丹尼尔·梅斯 杰森·沃特金斯 罗恩·库克 巴里·沃德 费伊·麦基弗 本·贝利·史密斯 布罗娜·沃 杰伊·辛普森 艾利克斯·巴哈特 乔尔·莫里斯 安迪·贾耶 查内尔·克雷斯韦 等主演的一部不错的日语的电视剧。
<p> It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.<br/> Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.<br/> When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."<br/> Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.<br/> Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.</p>
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影片免费播放地址:http://www.tzynmould.com/gov207110-1-5.html